Der Ball undated
2' 11 1/2 x 1' 7 3/4''(90 x 50 cm)
Bequest of William Vaughan,1919 nicht datiert 2~ 11 1/2 X 1~ 7 3/4~~ (90 X 50 cm) Vermächtnis von William Vaughan, 1919 French Painter, 1836-1902
Der Ball corner of the park,Child Playing with Ball,1899
1' 7'' x 2'(48 x 61 cm)Bequest of Carle Dreyfus,1953 Ecke vom Park, Spielend Kind mit Ball, 1899 1~ 7~~ X 2 ~( 48 X 61 cm) Vermächtnis von Carle Dreyfus, 1953 1865-1925
(15 October 1836 -- 8 August 1902) was a French painter.
Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
Gemälde ID:: 85044
The Ball 1880(1880)
Medium Oil on canvas
Dimensions 90 x 50 cm (35.4 x 19.7 in)
cyf (15 October 1836 -- 8 August 1902) was a French painter.
Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
James Jacques Joseph Tissot (15 October 1836 -- 8 August 1902) was a French painter.
Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
The Ball
